For the past year and a half, I've been strongly advocating for what I have been calling cross-platform outreach for documentaries: a way to disseminate the information that filmmakers do not or cannot incorporate into a documentary film; to encourage a grass roots movement of participation and conversation; to explore the often fine line between subject matter and audience; to crowd source stories and footage as a means to expanding the conversation or to cast your film; or to simply let loose some cool ideas that do not fit into a linear narrative.
Showing posts with label cross media. Show all posts
Showing posts with label cross media. Show all posts
Tuesday, April 1, 2014
Transmedia
For the past year and a half, I've been strongly advocating for what I have been calling cross-platform outreach for documentaries: a way to disseminate the information that filmmakers do not or cannot incorporate into a documentary film; to encourage a grass roots movement of participation and conversation; to explore the often fine line between subject matter and audience; to crowd source stories and footage as a means to expanding the conversation or to cast your film; or to simply let loose some cool ideas that do not fit into a linear narrative.
Labels:
Amanda Lin Costa,
Clock Wise Productions,
consulting,
creativity,
cross media,
DCTV,
documentary,
immersive storytelling,
Mike Knowlton,
Murmur,
StoryCode,
transmedia
Tuesday, March 11, 2014
A Case for Social Media, Outreach, Marketing and Distribution Producers
The first time I heard of a 50/50 film budget, I was like, yeah, right, like I’m going to spend 50% of my production budget on M&A (Marketing & Advertising).
That was the fall of 2009 after having spent all but $1K of my budget on MAKING a film. The remaining 1K was earmarked for festival submissions. Not long after I started spending my own money to cover outreach and marketing expenses so the film would meet some deserving eye balls. Not including my labor, 20% of the production budget for distribution seemed about right. But then I started factoring in my time and realized how long an outreach, marketing and distribution process lasts. 50% now was very reasonable.
Labels:
content,
cross media,
Digital Hollywood,
distribution,
future of distribution,
future of filmmaking,
hybrid film distribution,
marketing,
outreach,
producer,
SEO,
social media,
trans media
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