Monday, April 28, 2014
Friday, April 25, 2014
Immersive Storytelling, Transmedia Experiences and Storyscapes
The past week I have had chance to experience a few transmedia
experiences. What they are called or
billed as is as fluid as their content, use of technology and, alas, quality of
all of the above.
The Lincoln Film Society has a program called, Convergence:
Immersive Media at Lincoln Center. Currently the program features Futuremate a hybrid
live performance, film and interactive game experience. Billed as a wickedly funny satire about life,
love and the modern surveillance state, I had a hard time immersing myself. Partially to blame for that was of course the
fact that any “mating” game in NYC will have to deal with the skewed 2:1 female
male ratio. Parts of the experience felt forced, video elements where poorly
produced and although the script had its moments it was all a bit too over the
top for my taste. I felt like an outsider watching with (more or less) interest
a not so great theatrical performance with many gimmicks and I was certainly
not immersed. I think a much better experience could have
been had with better actors and certainly a better balanced audience. It’s
the age old issue, and I’ve been there myself, where people with great ideas
and a great script are not necessarily great directors or actors. This just a hunch...
The Tribeca Film Festival had two
floors of Storyscapes
as part of their Innovation Week. The projects in Storyscapes
incorporated virtual reality, live performance, 3D graphics, music and
gesture-based gaming and they were all participatory. In addition to the five finalist featured
there were quite a few other immersive or transmedia experiences. All of this,
by the way, fueled by massive amounts of Sapphire Bombay Gin to which I fell
prey the first visit and no popcorn in the world could keep up with the gin.
Saturday, April 19, 2014
TED Talks, take 1 - Bionics
http://biomech.media.mit.edu |
On the first anniversary of the Boston
Marathon bombing I wanted to share a TED
talk by Hugh Herr, head of MIT’s
Media Lab’s Biomechatronics group. A
double amputee himself he demonstrates what prosthetics, biomechanical limbs
are capable of and what they can do into the future. He maintains that people are never broken,
but the technology is.
To
demonstrate what he can do, he brings to the talk ballroom dancer Adrianne
Haslet-Davis, who lost her left leg in the Boston Marathon bombing, to perform for
the first time since she lost her leg on the TED stage. It’s a modest, but emotionally powerful dance.
As someone who had a traumatic lower leg
injury and nearly lost a leg to a sporting accident I can tell you, that not
only standing up straight and walking, but dancing, and having the mental
strength to do so is awe-inspiring. The leg’s
movements are phenomenal and I’m inspired to see that had I lost a leg, maybe I’d
be very ok today.
Labels:
biomechanics,
biomechnatronics,
bionics,
Boston Marathon bombing,
Hugh Herr,
MIT Media Lab,
prosthetic limbs,
technological advances,
technology,
TED,
TED talks
Tuesday, April 1, 2014
Spring Quiz (aka April Fool’s Quiz)
It was a
good year for the Fools of April. I would blame the weather for it (what
else). The first two pranks I saw while
checking emails in bed (yes: bad, bad habit) where the funniest.
First an
email announcement from a stock footage house – it was so elaborate that I
still have not found out whom it’s exactly from – announced the comeback of the
VHS tape and had everything from client testimonials to special offers and a
video. The list of perks listed among
other things: easy to order – simple 3 page fax order form. Or: don’t settle for invisible digital
goods. Or: amazing 720 x 480 resolution.
I’m still LOL. The email leads you to this
site.
Transmedia
For the past year and a half, I've been strongly advocating for what I have been calling cross-platform outreach for documentaries: a way to disseminate the information that filmmakers do not or cannot incorporate into a documentary film; to encourage a grass roots movement of participation and conversation; to explore the often fine line between subject matter and audience; to crowd source stories and footage as a means to expanding the conversation or to cast your film; or to simply let loose some cool ideas that do not fit into a linear narrative.
Labels:
Amanda Lin Costa,
Clock Wise Productions,
consulting,
creativity,
cross media,
DCTV,
documentary,
immersive storytelling,
Mike Knowlton,
Murmur,
StoryCode,
transmedia
April Fool's Day!
Monday, March 31, 2014
Prezi Version of Panna Cotta Recipe
I thought I'd share a trial run of the new Prezi interface for which I used a (rather boring) visual presentation for a Panna Cotta recipe [a la Production Style] I had done a few weeks ago and had posted here.
For the entire presentation on Prezi.com, click here.
For the entire presentation on Prezi.com, click here.
Labels:
Clock Wise Productions,
cool stuff,
panna cotta,
Prezi
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